What or who am I?
After reading each part:
- in the left hand boxes, predict all the things you think the poem is describing.
- in the right hand boxes, explain how the evidence in the text, and what you know, supports your predictions
- There is no right answer. The best answers are based on combining the evidence in the text with what they already know.
- On the student resource, the left hand boxes are for predicting what the poem could be describing, and the right hand boxes are for giving evidence from both the poem and their knowledge that supports their predictions.
- When reading a new part, use the new evidence to build on previous evidence.
- Not to erase any of their previous ideas when new evidence is shown.
- For this comprehension exercise, the poem needs to be progressively revealed to the students in three stages. That is why it has been presented in three sections.
- The poem can be enlarged or done on an interactive whiteboard for a class or group situation.
- use comprehension strategies
- monitor their reading for accuracy and sense
Y5 (05/2005) | ||
Part 1 |
Student suggests at least one thing that could:
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very easy very easy |
Student explains links between object and evidence in text of it:
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difficult easy |
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All suggestions are in the singular. | very easy | |
Part 2 |
Student uses new evidence to build on previous evidence, i.e., suggests at least one thing that could:
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easy easy |
Student explains links between object and evidence in text of how it:
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difficult difficult |
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All suggestions are in the singular. | moderate | |
Part 3 | Student synthesises evidence across all parts and suggests at least one thing that is footwear. | easy |
Student explains links between text and the object being footwear, e.g., "without a foot to walk in it". | difficult | |
All suggestions are in the singular. | easy |
Results based on sample size of 113 Y5 students
An analysis of student responses from the trial of this resource identified one main area of difficulty:
Part 1
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I think this poem could be describing any one of these things:
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because: it comes in pairs, you take it to the beach, it might have come off when they were swimming, and the waves brought it to shore. |
Part 2
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Now I think this poem could be describing one of these things:
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because: I lose my shoes all the time, and (Part 1 evidence) the writer says the sand is too hot, and your feet are normally the only thing that touch the ground. And you buy them at the shop. (New evidence) |
Part 3
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Now I think this poem is most likely to be about:
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because: The writer says in summer it always disappears (New evidence) and you wear jandals in summer. They could be green with white bits (Part 2 evidence) and float away without you seeing. (Part 1 evidence) |
To help students "unpack" the evidence and their thinking, some of the ideas in the following chart could be useful:
My/our inferences are... We are inferring that... |
Quotes/evidence from the text are... The clues the text gives are... |
My/our experiences are... I/we know about this because... |
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Drawing on a range of reading strategies
"Visualising strengthens our inferential thinking. When we visualise, we are in fact inferring, but with mental images rather than words and thoughts.
Visualising and inferring are first cousins, the offspring of connecting and questioning.
Hand in hand, they enhance understanding".
p.96, Strategies That Work: Teaching Comprehension to Enhance Understanding
Making connections between what I know and the text
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It might be shoes because I know that whenever I lose something my mum gets angry, and I know that if the tide is high everything floats away.
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Asking questions |
I asked myself how can the other thing act the same.
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Creating a picture in my head, or visualising |
I saw some shoes in my head that were by the rockpool where I left them at Kaka Point.
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Explaining Reading, A Resource for Teaching Concepts, Skills, and Strategies, Gerald G. Duffy, The Guilford Press, 2003.
Strategies That Work: Teaching Comprehension to Enhance Understanding, Harvey, S. and Goudvis, A., Stenhouse Publishers, 2000.